ICSLA, Vol.1, No.2,2025

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ICSLA, Vol.1, No.2,2025
Article List
Deep Interpretation of Culture and Literature of “the Other”: Research on Annotation in Herbert A. Giles’ Strange Stories from a Chinese Studio
Chen Shumei,Ren Hui
ICSLA, Vol. 1, No. 2, 2025, pp.171-182.
From Misty Rebellion to Diasporic Authenticity: Language, Exile, and Nativeness in Bei Dao’s Poetry
Lei Yanni, Wu Hao
ICSLA, Vol. 1, No. 2, 2025, pp.183-193.
Magnificent and Profound Love without Boundaries: Commenting on the Music Composition of the Hollywood Movie Inn of the Sixth Happiness
Lu Guanyu,Yang Hongguang
ICSLA, Vol. 1, No. 2, 2025, pp.194-210.
Research on the Overseas Dissemination of Cantonese Operas from the Perspective of Translation-Communication Studies
Guo Miaoying,Li Yijing,Lu Zhijun
ICSLA, Vol. 1, No. 2, 2025, pp.211-225.
An Analysis of the Interactive Mechanism between Dissemination Power and Influence of Legal-themed Films in the Streaming Meida Era: A Case Study of the Korean Film Silenced
Wu Yi, Chu Qinghua
ICSLA, Vol. 1, No. 2, 2025, pp.226-238.
Narrative Innovation and Aesthetic Empowerment in the International Communication of Chinese Culture: Exploring the Construction Path of Cultural Soft Power through the Domestic Animation Ne Zha: The Legend of the Sea 2
Chen Yi
ICSLA, Vol. 1, No. 2, 2025, pp.239-246.
International Dissemination Practices, Reflections, and Strategies for Cantonese Opera:A Multidimensional Analysis Based on the Ninth Cantonese Opera Festival
Xiong Jian,Wang Xiaotong
ICSLA, Vol. 1, No. 2, 2025, pp.247-254.
Tagore’s Localized Construction and Its Implications for Civilizational Dialogue: A Review of Tagore and 20th-Century Chinese Literature
Zhao Shuangyue
ICSLA, Vol. 1, No. 2, 2025, pp.255-261.
An Innovative Interpretation of Misreading through a Functional Perspective: A Review of Civilization’s Unfilial Sons: Chinese Narratives in Modern American Drama
Zhou Xia
ICSLA, Vol. 1, No. 2, 2025, pp.262-270.
Navigation Routes, Mesology, and Lyricism: A Review of Gao Jiaqian’s Maritime Poetry Road: East Asian Routes and Nanyang Mesology
Huang Jiajun
ICSLA, Vol. 1, No. 2, 2025, pp.271-283.
The Revelation of the “Dual Other” under the Cross-Cultural and Gendered Gaze: A Review of A Study on the Image of China in American Films and Its Influence’s Examination and Reflection on the Images of Chinese Women in American Cinema
Wang Shan, Lu Liying
ICSLA, Vol. 1, No. 2, 2025, pp.284-294.
Paradigm Shifts in the International Communication of Chinese Online Literature in the Context of Digital Civilization: A Review of Crossing Digital Civilizations: A Tutorial on the International Communication of Chinese Genre-based Online Literature
Jiang Xinyan
ICSLA, Vol. 1, No. 2, 2025, pp.295-300.
From “Soft Communication” to “New Narratives”: A Review of Wang Jingxuan and Liu Qi’s International Discourse System of “the Belt and Road” Initiative
Yu Zixuan
ICSLA, Vol. 1, No. 2, 2025, pp.301-311.
Cross-Cultural Studies from the Perspective of Civilization Mutual Learning: A Review of Ms. Chang Phong’s Harvard Academic Dialogues: 30 Years of Conversations with Harvard Professors
Huang Wanhua
ICSLA, Vol. 1, No. 2, 2025, pp.312-324.
A Groundbreaking Contribution to Huainanzi Translation Studies: A Review of Ding Lifu’s A Study on the Transmission and Translation of the Huainanzi
Hu Lishi
ICSLA, Vol. 1, No. 2, 2025, pp.325-335.
Cross-cultural Interaction of Nostalgia Writing and the Formation of Rural Consciousness:A Review of Imported Nostalgia: The Translation and Introduction of Foreign Nostalgic Fictions in the 1930s and Before
Jin Minna
ICSLA, Vol. 1, No. 2, 2025, pp.336-344.
Cross Border, Integration, Innovation: A Review of Research Library of Global Chinese Literature
Huang Mengxi
ICSLA, Vol. 1, No. 2, 2025, pp.345-354.
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