International Communication Studies in Literature and Art (ISSN 3079 -2711)

ICSLA, Vol.1, No.1，2025, pp.93-106 

中国戏剧日本译传研究的学术图景与知识网络研究

——基于CiteSpace的文献计量可视化分析

刘  岩（Liu Yan）[1]，吴  院（Wu Yuan）[2]

摘要：在全球文明互鉴与中华文化“走出去”战略深化的背景下，中国戏剧的跨文化传播研究兼具学理价值与实践意义。本研究基于中国知网（CNKI）核心期刊数据库2000-2024年的419篇文献，运用CiteSpace可视化工具进行文献计量与知识图谱分析，系统梳理该领域的学术演进脉络与知识生产特征。研究发现：年度发文量与基金资助比例同步增长，研究范式历经三阶段转型，从剧本翻译策略到文化传播机制，再到跨学科整合，融合戏剧学、传播学与国际关系学的多维视角。学术共同体以李莉薇、邹元江等学者为核心，依托武汉大学、华南师范大学等机构形成“核心-边缘”合作网络，但跨地域协同研究仍有拓展空间。研究热点聚焦五大维度：中日戏剧比较视域下的能乐与京剧对话、梅兰芳访日公演的符号学阐释、江户时期戏曲传播考据、歌舞伎的中国元素解码、数字时代戏曲短视频的传播创新，体现学界对历史经验与当代实践的双向观照。本研究通过量化与质性分析的结合，揭示了中华文化对外传播中传统资源现代转化与本土经验理论升华的深层命题，为构建中国特色的戏剧跨文化传播理论体系提供方法论参照。

关键词：戏曲；日本；译介；传播；知识图谱

Title: Research on the Academic Landscape and Knowledge Network of Chinese Opera Translation and Dissemination in Japan—A Bibliometric Visualization Analysis Based on CiteSpace

Abstract: Under the backdrop of global civilizational exchange and the deepening “Going Global” strategy of Chinese culture, the study of cross-cultural communication of Chinese theater holds both theoretical and practical significance. This research analyzes 419 articles from the CNKI core journal database (2000–2024) using CiteSpace visualization tools to conduct bibliometric and knowledge mapping analyses, systematically examining the academic evolutionary trajectory and knowledge production characteristics in this field. Findings reveal that annual publication volume and the proportion of funded research have grown in tandem. The research paradigm has undergone three phases of transformation: from script translation strategies to cultural dissemination mechanisms, and further to interdisciplinary integration, synthesizing multidimensional perspectives from theater studies, communication studies, and international relations. The academic community, centered around scholars such as Li Liwei and Zou Yuanjiang, has formed a “core-periphery” collaborative network through institutions like Wuhan University and South China Normal University, though opportunities remain for broader cross-regional cooperation. Research hotspots focus on five dimensions: dialogue between Noh and Peking Opera from a Sino-Japanese comparative perspective, semiotic interpretations of Mei Lanfang’s performances in Japan, textual studies on the dissemination of Chinese opera during Japan’s Edo period, decoding Chinese elements in Kabuki, and dissemination innovations through short-form videos in the digital era. These themes reflect the academic community’s dual emphasis on historical experiences and contemporary practices. By combining quantitative and qualitative analyses, this study elucidates the deeper challenges of modernizing traditional resources and theorizing local experiences in China’s cultural diplomacy, offering methodological insights for constructing a cross-cultural communication theory of Chinese opera with distinctive national characteristics.

Keywords: Chinese opera; Japan; translation and introduction; communication; knowledge mapping

[1] 刘  岩（Liu Yan）（通讯作者），贵州大学外国语学院副教授，日本研究所所长，研究方向：中日近代交流史，地域文化翻译与国际传播。电邮：yliu1@gzu.edu.cn。

[2] 吴  院（Wu Yuan），贵州大学外国语学院研究生，研究方向：文学翻译与传播。电邮：2021200393@qq.com。