International Communication Studies in Literature and Art (ISSN 3079 -2711)

ICSLA, Vol.1, No.1，2025, pp.121-129  

跨文化视域下古代朝鲜文人对贾岛的接受

——以朝鲜王朝为中心

黄雅丽（HuangYali）[1]，张同胜（ZhangTongsheng）[2]

摘要：古代朝鲜半岛国家与古代中国渊源深厚，古代朝鲜文人对中国唐代诗人贾岛的接受自新罗时期至李氏朝鲜王朝从未中断，并在李朝达到顶峰。在朝鲜文人心中，贾岛凝结为四个典型形象：佛门返俗的诗僧、穷苦困顿的诗人、文采超群的诗人和骑驴推敲苦吟者。朝鲜王朝文人对贾岛苦吟诗的接受情况各不相同，一些朝鲜文人通过次韵、用韵、集句和化用等形式学习贾岛诗歌，对其诗风和苦吟诗法给予了高度的肯定和认可；然而，一些深受儒家影响的李朝文人却批评贾岛的苦吟推敲之法，对其幽僻苦涩的诗风也不予认同。

关键词：贾岛；跨文化交流；苦吟；朝鲜王朝；接受

Title: The Acceptance of Jia Dao by Ancient Korean Literati from a Cross-cultural Perspective: Centered on the Joseon Dynasty

Abstract: The countries on the ancient Korean Peninsula had a profound historical connection with ancient China. The acceptance of Jia Dao, a poet of the Tang Dynasty in China, by ancient Korean literati began in the Silla period and continued uninterrupted through to the Joseon Dynasty, reaching its peak during the Joseon Dynasty. In the minds of Korean literati, Jia Dao was perceived as emboding four typical images: a poet-monk who returned to secular life from Buddhism, a poor and distressed poet, a poet of extraordinary literary talent, and a poet who painstakingly deliberated over his verses while riding a donkey. What’s more, the literati of the Joseon Dynasty held different attitudes towards Jia Dao’s painstaking poetic deliberation. Some literati learned from Jia Dao’s poetry through composing poems in the same rhyme scheme, using the same rhymes, compiling sentences from his works, and adapting his expressions. However, the literati in the Joseon Dynasty who were deeply influenced by Confucianism, criticized Jia Dao’s method of painstakingly pondering over and refining his verses, and disapproved of his remote and bitter poetic style.

Keywords: Jia Dao; Cross-cultural Communication; Arduous Poem Composition; Joseon Dynasty; Reception Study

[1] 黄雅丽（Huang Yali），兰州大学文学院硕士研究生，研究方向：汉语国际教育。电邮：huangyali1003@163.com。

[2] 张同胜（Zhang Tongsheng）（通讯作者），兰州大学文学院教授，研究方向：比较文学。电邮：hopemark@126.com。