International Communication Studies in Literature and Art (ISSN 3079 -2711)

ICSLA, Vol.1, No.1，2025, pp.40-57 

交融与突破

——卡列维阿霍交响诗《革家》中中国民族化新音响的探索与实践

欧阳国俊（Ouyang Guojun）[1], 杨红光（Yang Hongguang）[2]

摘要：卡列维·阿霍（Kalevi Aho）是芬兰乃至全世界最具影响力的作曲家之一。其创作的交响诗《革家》（2012）作品中共性写作技术、苗族革家音乐元素、近现代作曲技术三者交相辉映、相得益彰。本文通过双奏鸣曲式结构、民族化新音响的设计、横向结构织体中的音色处理、纵向结构织体中的音色处理和西洋乐器对中国民族乐器的模仿处理五个部分，对音乐作品中独特的民族化新音响进行全面深入性地研究，其独居匠心的配器技术定能给中国民族音乐的创新发展给予一定的借鉴意义和参考价值。

关键词：卡列维·阿霍；交响诗《革家》；民族化新音响；双奏鸣曲式；音色织体

Title: Integration and Breakthrough: The Exploration and Practice of New Acoustic Sounds of Chinese Nationalization in Kalevi Aho’s Symphonic Poem The Revolutionary

Abstract: Kalevi Aho is one of the most influential composers in Finland and in the world. His symphonic poem “Gejia” (2012) showcases a harmonious interplay and mutual enhancement of common writing techniques, elements of Miao Gejia music, and modern compositional techniques. This article deeply reveals the unique nationalized new sound in the musical work through five parts: the structure of the double-sonata form, the design of nationalized new sounds, timbral processing in the horizontal structural fabric, timbral processing in the vertical structural fabric, and the imitation of Chinese national instruments by Western musical instruments. The composer’s distinctive instrumentation techniques are bound to provide certain references and significance for the innovative development of Chinese national music.

Keywords: Kalevi Aho; symphonic poem Revolution; new ethnic sound; double sonata form; timbral texture

[1] 欧阳国俊（Ouyang Guojun），宁波大学音乐学院硕士研究生，研究方向：作曲与作曲技术理论。电邮：1710935590@qq.com。

[2] 杨红光（Yang Hongguang）（通讯作者），宁波大学音乐学院教授，研究方向：作曲与作曲技术理论，电影配乐。电邮：yanghongguang@nbu.edu.cn。