Editorial  Advisory  Board

Honorary Editor-in-Chief:  

Tao Dongfeng, Guangzhou University, China

Editor-in-Chief:

Zhang Su, Guangzhou University, China

Editorial Assistants

Deng Aiqin, Huang Jiajun, Wu Wenting,Zhang Junyi, Zhang Xu

Members of Editorial  Advisory  Board:

Nguyen Anh Dan, University of Education, Hue University, Vietnam

Shang Biwu, Shanghai Jiao Tong University, China 

Dai Dengyun, Guangzhou University, China 

Victor Fan, King's College London, United Kingdom

Yang Gexin, Zhejiang University, China 

Wang Jin, Jinan University, China

Wang Junchao, Guangdong University of Foreign Studies, China

Liu Kang, Duke University, United States

Vicki Kirby, University of New South Wales, Australia

Stefan Kramer, University of Cologne, Germany

Jiang Lan, Saint Peter's University, United States

Livio Lepratto, University of Modena and Reggio Emilia, Italy

Zhang Lianqiao, Guangzhou University, China 

Liu Maosheng, Guangdong University of Foreign Studies, China

Tomasz Mizerkiewicz, Adam Mickiewicz University, Poland

Li Peifeng, Cheng Ho Cultural Museum, Malaysia

Zhao Qiang, City University of Macau, China 

Jin Qiong, Guangzhou University, China 

Wu Na, Trinity Western University, Canada

Liu Weiguo, Sun Yat-sen University, China 

Liao Wenhui, New Era University College, Malaysia

Song Weijie, Rutgers University, United States

Cao Yina, Journal of World Cinema

Ouyang Youquan, Central South University, China

Wang Yuanlin, Guangzhou University, China

Editors-in-Chief Introduction

Professor Zhang Su

ZHANG Su is a Professor at Guangzhou University, where he serves as a Doctoral Supervisor and Postdoctoral Co-supervisor. He is also the Executive Deputy Director of the Key Laboratory of the Maritime Silk Road. He received his PhD in Philosophy from Peking University, specializing in Western Marxist Literary Theory, under the supervision of Huang Xiaohan, former Director of the Institute of Western Marxist Studies at Peking University.

His research focuses on literary and artistic communication, international communication, and comparative literature, with particular attention to the international dissemination of literature and art, modern Chinese civilization, and postmodern historiographic metafiction. He has served as Principal Investigator of several major research projects, including a Major Special Project of the National Social Science Fund of China, Research on XXXXXXX (23VHQ008), a ministry-level social science project recognized by the university, Research on the Construction of Modern Chinese Civilization and Strategies for the International Communication of Literature and Art(ZGWLBJKT202303), and a General Project of the National Social Science Fund of China, A Study of Euro-American Postmodern Historiographic Metafiction (20BWW006).

In recent years, he has published more than 20 academic papers in CSSCI and other core journals, including five articles in authoritative journals. His representative publications in high-level Chinese and international journals include “Slow Aesthetics: The Path and Pitfalls of Poetic Existence—A Discussion with Professor Yang Xiangrong” (Exploration and Free Views, CSSCI / Peking University Core, 2022), “Theme Dilution, Counterfactual Narration, and Multiple Temporal Configurations: A Literary Interpretation of Postmodern Historiographic Metafiction” (Interdisciplinary Studies of Literature, A&HCI, 2024), and “Ethics-Centered Transfiguration: A Critical Analysis of Hayden White’s Theory of Historical Tropology” (Interdisciplinary Studies of Literature, A&HCI, 2022).

He is actively involved in academic service and professional organizations. He serves as a Council Member of the China Association for Interface Studies, a Council Member of the Marine Security and Strategy Committee of the China Institute for Marine Development, and Vice President of the South China Urban Studies Association. He is also Director of the China Research Center for the International Communication of Literature and Art, co-established with the Research Department of the China Federation of Literary and Art Circles. In addition, he regularly serves as an anonymous reviewer for academic journals and as an expert reviewer for national- and ministerial-level research project evaluation and assessment.